Like any industry, writing and research require serious quality control measures and we consider that our biggest task. There are several mechanism that we have adopted over the years that help us meet all our guarantees on quality and deadlines. Every paper typed by our writers is electronically scanned by a plagiarism detection utility and later manually reviewed by a trusted editor who is likely to spot plagiarized content. Yet, the most effective tool is the thorough examination that every one of our writers had to go through at the hiring stage. There have been numerous cases of cheating on our entrance-tests and dishonest writers who cheated there would eventually cheat on the job. The end result of that war on plagiarism looks promising: Every one of our client is guaranteed 100% authentic non-plagiarized writing (money back guarantee).
In 1890, Gilman sent the story to writer William Dean Howells, who submitted it to Horace Scudder, editor of the prestigious magazine, “The Atlantic Monthly.” Scudder rejected the story as depressing material, and returned it to Gilman with a handwritten note that read: “Dear Madam: W. Howells has handed me this story. I could not forgive myself if I made others as miserable as I have made myself! Sincerely Yours, H. E. Scudder.” Eventually the story was published in “The New England Magazine” in May 1892. According to Gilman’s autobiography, she sent a copy of “The Yellow Wallpaper” to Weir Mitchell after its publication. Although she never received a response, she claimed that Weir Mitchell later changed his official treatment for nervous depression as a direct result of her story. Gilman also asserted that she knew of one particular woman who had been spared the “rest cure” as a treatment for her depression after her family read “The Yellow Wallpaper.”